Archive | November, 2010

Drama movement games – Part 2

19 Nov

Name: Cat and mouse.

Age: 4 years +.

Required number: 10+.

Requirements: Clear space.

Procedure: All children are in pairs. One child is cat, one other child is mouse, and all others stay in pairs, arms hooked together. Cat chases mouse; when mouse is caught then mouse becomes cat and vice versa. However, mouse can escape chase by hooking into any pair of other players. At that point the player at the other end of the pair becomes cat and the cat becomes mouse.

 

 

Name: Magic Box.

Age: 3 years +.

Required number:  2+.

Requirements: Clear space.

Procedure: This is a fun mime game. Everyone sits in a circle. Ask the students can they see the box in the centre of the circle. Ask them what colour is it?. What shape is it? It can be a different shape and colour depending on where you are sitting in the circle. This is because it is a magic box. The teacher goes in first and opens the box and takes out an object. She then mimes the object and the class must get what object it is. When the students guess what object it is the teacher puts the object in the box and closes it. Whoever guessed correctly takes a turn at taking something out of the box.

 

Name: Captain’s coming.

Age: 4 years +.

Minimum number of participants:  3+.

Resources: Clear space

Procedure: The teacher can be the captain or one child is chosen to be the captain. The captain calls out orders to the rest of the children who are the crew. If a child does not follow an order correctly s/he is out. !

Orders                                     Action

Bow                                          run to the left side of the space

Stern                                        run to the right side of the space

Port                                          run to the left.

Starboard                              run to the right

Man overboard                   lie on back and swim

Submarines                           lie on back and stick one leg straight up.

Man the Lifeboats               find a partner, sit together, and row!

scrub the Decks                   children crouch down and pretend to clean the floor with their hands.

Climb the Rigging                 children pretend to climb a rope ladder.

Captain’s coming                  children salute and shout out “Aye Aye Captain”

Man Overboard                     children on their backs waving legs and arms in air as they drown.

Walk the Plank                       children have to walk in a perfect straight line one foot exactly in front of the other with arms outstretched to the sides.

Captain’s daughter is coming.     everyone curtseys

Hit the Deck                             children lie down on their stomachs.

 

The Selfish Giant by Oscar Wilde – a play for children

12 Nov

The Selfish Giant

8 children wait with the teacher at the back of the audience area. The Narrator enters the performance area.

Idea 1: Discussed in the first class, the narrator could be an old man could be telling the children in the audience a story: Could develop a dialogue for him. He could be sitting in a rocking chair! Could have some interaction with the audience.

Narrator/ Old man: Once upon a time there lived a selfish giant. He had a large and beautiful garden but he shared it with no one. ‘My own garden is my own garden’, he used to say. The Giant had been to visit his friend the Cornish Ogre and stayed with him for seven years. All these years his garden stood empty: ….empty, that was, apart from a group of school children who played in it each day on their way home from school.

Idea 2: You have a conversation between the Cornish Ogre and the Giant.

A bell rings

Teacher: (comes to the centre stage, the children are on benches in front of the audience) 4 o’clock, class dismissed. And I expect more work from you tomorrow. Now, don’t dilly dally on you your way home. Off you go. (Shouting) Quietly!

(The children run up the centre aisle and start to play with the children in the audience. They run down the side aisles and reach the steps to the stage. The curtains open and there is a wall the squeeze through the hole in the wall.)

Child 1 (George): Right that is me in. Come on Millie. I’ll give you hand. Mind the brambles.

Child 2 (Millie): Ouch! My dress! Another tear! Whatever will my mum say? Mind Sarah the brambles are spiteful today. Fold your dress over.

Child 3 (Sarah): All-right nearly through. (She scrambles in) that’s it. Here at last. (Sighing) Wonderful!

Children chatting as the all go through one by one.

Child 4 (Tom): (The last one through and having difficulty). This hole seems to be get smaller and smaller, unless it’s my imagination.

Child 5 (Harry): No, You’ve got that wrong Tom. You’re getting fatter. It’s all that McDonalds.

All laugh!

Child 3: (mimicking teacher in hoity- toity voice). Guess who this is? Now children you should never eat McDonalds because it is very bad for you. You don’t want to get fat do you?

Child 1: Oh yes  miss.

Child 2: (Mimicking) And you, finish your carrots. Don’t you want to have better eyesight?

Child 6 (Susan):  Oh no Miss.

They giggle and laugh and ad lib about the teacher.

Child 7 (Sam): I love this place! Do you know? I only have to put my toe inside the garden and I feel so happy I have to laugh out loud!

Every one agrees.

Child 8 (Amy): It’s seven years since the Giant was here. I know it’s his garden but he can’t be back after all this time, can he?

Child 6: I hope not. But we’d better make the most of it while we’ve got it.

After all, this garden’s our play ground…….

Child 1: Our Parkland ……

Child 6: Our Paradise ……….

Idea 3: It might be a good idea to get the children either to freeze frame or mime playing at the back of stage. The inanimate objects such as the wall and the trees could be introduced. You could have three parts of the wall. A good way to write the dialogue is give each part of the wall a specific character. This could be developed from a different emotion like anger, fear, confidence, sadness, happiness, surprise, loving. You can do the same for the trees.

Child 6: Now, what shall we play? How about a game of stuck in the mud?

Child 7: We played that yesterday

Child 5: I know! Let’s play Giant’s footsteps

Child 6: (Shivering)Ugh no! That’s a bit too much like the real thing. When-is-a-game-not-a-game?!

Child 4: What about blind man’s buff?

All agree

Child 4: Here’s my tie. Come on, Sue. Ready for the blindfold?

Child 6: No not for me! I hate the dark. Pick someone else.

Child 1: Being scared of the dark is for babies.

Child 6: Then I will stay a baby!

Child 8: Blind fold me! I’m not afraid.

(Child 8 is blindfolded and the game begins. The other children easily dodge out of her way as she tries to catch them. ENTER GIANT. The children shrink back as the giant appears watching in silent horror, as child 8 is about to feel her way into his path. The giant grabs her and her children hide, cowering in a tight group, as child 8 is caught.)

Idea 4: The walls and the trees could be frightened of the giant too.

Giant: Got you! You little tyke! What are you doing here?

Child 8: (squirming) Oh please, sir, please! Let me go! We’ve only been playing.

Giant: Playing! My own garden is my own garden. Anyone can understand that, and no one is allowed to play in it but me!

Child 8: (Plucking up courage)Well then, if that’s the case. I think you’re a selfish giant! (Realising) Oh please, please don’t hurt me I didn’t mean it. (Pulling free, running away and hiding with the other children)

Giant: How earth did those nuisances get inside in the first place?

Idea 5: He could give out to the pieces of the wall because they were so relaxed they didn’t keep the wall up.

Now I can see. What I need is a new wall, a high wall, a thick wall. (He inspects the broken wall and starts to put them together) wall with no holes in it. I must get building straight away No one is allowed to play in MY garden. Oh no!

Children: (whispering to the audience) He is a very Selfish Giant.

Idea 6: Could have some interaction with the audience – ask question like ‘What type of Giant is he?

(He builds the wall complaining about the children and the wall. He ad libs)!

Giant: That should do it. Now, where’s that notice? That should teach them a thing or two if they can read. They never get taught proper in schools nowadays, especially when it come to grammaticals. (Proudly views his handy work). Yes….just the job! ‘Trespassers will be prosecutED’

(Giant Exits muttering. Curtain closes to change the scene)

Narrator /old man:  Now the children had nowhere to play. They used to wander outside the wall the high walls of the giant’s garden when their lessons were over and talk about the freedom they n longer had.

Children: How happy we were there!

(The children slowly walk off the stage down to the benches)

Narrator: Then spring cam over the country there were flowers blooming and trees in blossom and birds singing. Only in the garden of the selfish giant it was still winter. The birds did not care to sing in it as there were no children. And the flowers had no heart to bloom.

End of scene one

Idea 7: here you can introduce the snow, the frost, the north wind & winter. They could do a movement sequence to eerie music. Then they could have dialogue. Look at the selfish giant on youtube to get an idea.

Narrator/old man: The spring never came to the garden of the Selfish Giant, nor the Summer. The Autumn gave golden fruits to every garden, but to the Giant’s she gave none, ‘he is too selfish’ she said. So it was always Winter there. The children sad as there was no where for them to play.

(Children are standing outside the wall. They try to peer over the Giant’s wall)

Child 1: It’s the same at school. There’s always a rule saying……

All:   (taking up aggressive postures) Go away! Not here! Keep out! Keep off! Get out!

Child 1: do you remember what happened yesterday?

Child 2: yes I do! There we were in the playground on the bit that we’ve been told we can use.

Child 3: (Indicating a vast area with his arms). Not the bit that we’re not allowed on….

Child 2: And we’d started this really good game.

Caretaker (Shouting) now you lot. Out of my way! Can’t you see I’ve got work to do? What do you think this is? A playground.

(The children sigh and take up the positions outside the garden again.)

Child 3: so even the playground doesn’t seem to be a place for us.

Child 4: And it was the same the other day in the park. Now you’d think a park would be a place where we could play!

Child 5: there I was, with my football, all fired up and ready to go.

Child 4: I was in goal…..

(They enact the game of football. Enter the park keeper with a gate closed notice. The game halts immediately.)

Child 5: And it wasn’t even dusk.

(The Park Keeper positions the notice in a deliberate fashion. The children sigh and take up positions outside the garden again)

Child 7:  The other day I was on the pavement with Amy. You know chatting and dancing around. We’d just come out of school….

Child 8 ………..and I was showing Sam how to do a hip hop dance.

Child 7:  when down the road came this Rolls Royce with a posh man and lady inside.

(They enact the scene- the other children become the car through movement)

Posh Gent/Child 7: Out of my way, gals or we may run you over.

Posh Lady/ Child 8: The streets are no place to play. Go to the park.

Posh Gent /Child 7….Or the playground …..Or anywhere, as long as it’s out of our way.

Posh Lady/Child 8: I simply can’t abide children! Thank goodness we haven’t got any.

(The children sigh, they are outside the garden.)

(One of the children spies a hole in the wall and climbs through. He calls the others. The curtains open and it is spring in the garden again).

Child 6 I can’t believe we are inside the garden!

Child 4: it’s spring time

Child2: It’s morning

Child 3 ……and there‘s no notice, the Giant’s notice is gone!

Child 8 …..And it’s more beautiful then ever.

Scene 3

Narrator: striding outside to feel the spring air, the giant stopped suddenly, all the trees were laden with blossom….except for one. The tree had not been touched by spring and underneath it stood a small child crying because he couldn’t reach its bare branch.

Giant; Here, little fellow…..let me lift you into the tree like the other children. There, no wonder Spring hasn’t come to this garden. How selfish I’ve been. Come on children. I can see you! You needn’t be afraid any more. I’m going to knock down the wall and my garden shall be your playground for ever. Come back! Come back! and play!

Giant: Now I would like to join your games, if you please!!!!

Giant: (suddenly looking around) But where is your little companion.

Child 1: What are you talking about, sir?

Child 2: Do you mean Sarah over there?

Child 3; He doesn’t mean he means Tom or little titch as we call him.

Child 4: Did you want something (stuttering nervously) mmmmmister …ssssir…..mmmister….fffffriendly…..giant?

Giant: I want to know where the little boy is, the one that I lifted up into the branches of the tree.

Child 5: But we all got ourselves up in the trees… we didn’t think you were at home, you see…

Child 4……..Then we heard you.

Child 3: so we hid by the wall. I’m sorry that we trespassed in your garden in your garden, Sir.

(All mumble profuse apologies suddenly anxious that giant might become angry).

Giant: Oh no, no, no. No apology needed. This is your garden now. But I wish you could tell me where the little child is, because he’s rather special to me. I realised through him how selfish I had been with my garden. No wonder spring never came!

Child 5: But this is all of us , Sir. We were the only ones that dared to come in.

Child 3: But we will ask around in school tomorrow and see if we can find who the giant’s little friend has been.

Giant: oh yes please, now I really must have my rest: my old bones ache from the exercise! You carry on playing.

The giant sits on his chair the children continue to play in slow motion.

Narrator/ old man: The years passed but the children were never able to find out who THE Giant’s little friend had been. The Giant grew very, very old. He could no longer play, so he sat in a huge armchair and watched the children. They all feared he would die soon.

Small child enters up the middle aisle. The children all stop playing immediately the giant sees the small child and call out to him.

Giant: There he is! Come on little friend. Where have you been? I’ve waited so long for you. Come and join in the fun. (He hobbles towards the child) My goodness how I’ve missed you! I had a feeling I might die before you came to see me again.

The Giant moves to hug the child, and then draws back in horror.

Giant :(taking the child’s hands and examining them.) Why, who has dared wound you? Tell me quickly and I’ll fetch my sword and slay him.

Small Child: No. these are the wounds of love.

Giant: (Suddenly in awe) who are you?

Small Child: Once you let me play in your garden. Today, you shall come with to a very special garden called Paradise.

The Giant sinks slowly to the ground. The small child kneels beside the giant, makes him comfortable and comforts him. Small child exits. The children aware the Giant has died sadly gather daffodils and place them around him.

Action Poems for Young Children – Movement

10 Nov

Action Poems

When Goldilocks went to the house of the bears

When Goldilocks went to the house of the bears (Walk on the spot).
Oh, what did her blue eyes see? (Point to their eyes)

A bowl that was huge and a bowl that was small
And a bowl that was tiny and that was all (Make increasingly smaller shapes with arms for each bowl).
And she counted them – one, two, three (Use finger to point as if counting each bowl).

When Goldilocks went to the house of the bears (Walk on the spot).
Oh, what did her blue eyes see? (Point to eyes).

A chair that was huge and a chair that was small
And a chair that was tiny and that was all (Use hands to show the increasingly smaller height and size of each chair)
And she counted them – one, two, three (Use finger to point as if counting each chair).

When Goldilocks went to the house of the bears (Walk on the spot).
Oh, what did her blue eyes see? (Point to eyes).

A bed that was huge and a bed that was small
And a bed that was tiny and that was all (Use hands to show the increasingly smaller length and size of each bed).

And she counted them – one, two, three

When Goldilocks went to the house of the bears (Walk on the spot).
Oh, what did her blue eyes see? (Point to eyes).

A bear that was huge and a bear that was small
And a bear that was tiny and that was all ((Use hands to show the increasingly smaller height and size of each bear).

 

There was a princess long ago, long ago, long ago, there was a princess long ago, long long ago.

There was a princess long ago, long ago, long ago, there was a princess long ago, long long ago. (In a circle everyone curtsy/bow and the  princess  is in the middle dancing).

And she lived in a big high tower, a high tower, high tower, she lived in a biigh high tower long ago, long, long ago. (put hands in “triangle” shape to make tower, princess still dances).

A wicked fairy cast a spell, cast a spell, cast a spell, cast spell. A wicked fairy cast a spell long ago, long, long ago. (Fairy chases princess about, then taps her head as casting a spell. Everyone in the circle cast spell with “wands”).

The princess slept for a hundred years etc

(Princess lies in middle of circle sleeping everyone puts head on hands as sleeping action).

A great big forest grew around etc (cross arms and hold )

A handsome prince came riding by etc (Prince runs/gallops round circle and everyone  gallops on the spot)

He took his sword and cut the trees etc (prince chops trees with arm everyone  pretend to cut treess with their arms)

He woke the princess with a kiss etc (Prince gives the princess a kiss on head/cheek/lips everyone blow kisses0

The wedding bells go ding dang ding etc (All with hands pretend to ring bells; prince and princess dance in middle)

And every bodys happy now etc (All happy, clapping, dancing, jumping etc).

Group Session for children dealing with low self esteem

10 Nov

The following six weeks programme is designed for clients aged 7 to 9 with low self esteem. The group compromises of 2 boys and 2 girls. The sessions take place weekly and last for 50 minutes. The programme is based on the premise the clients in the group have the following difficulties:

  • They have unrealistic expectations of themselves.
  • They find creativity difficult.
  • They have feelings of incompetence and worthlessness.
  • They have poor social skills.
  • They suffer from feelings of being frightened, scared, anxious or ambivalent.
  • They have difficulty making friends.
  • They have difficulty conceiving and reaching goals.

The overall aim of the sessions is to enable the clients to become more confident, more self assured and to have a more positive image about themselves.

Session 1:

Aim of session: Introduce the group to the process and help them operate as a group with the support of the therapist.

  1. Contract – As a group get the clients to come up with the boundaries for their group. This will help them feel part of the process and encourage them to operate more effectively as a group. There should not be more than five boundaries but they should include respect for themselves and others, confidentiality and punctuality. Put the rules on poster paper and get each one of the clients to sign it. If they wish the therapist can type them out and give each member of the group a copy the following week.
  1. Tell them why they are there. Invite the clients to talk about “what is self esteem?” Write the ideas on the poster paper. Things that could be included are:
    • knowing who you are,
    • What can you do?
    • What can’t you do?
    • Feeling good about yourself,
    • Being a good friend.
  1. Invite discussion about the things that contribute to low self esteem such as:
    • Listening,
    • Communicating,
    • Receiving positive messages,
    • Understanding that differences happen,
    • Accepting yourself,
    • Accepting others,
    • Learning about others.
  1. Get the clients to decide on the name for the group.
  1. Machines: The entire group works together. The therapist calls out the name of a machine and the group have to use their bodies to create that machine. Each person is a different part of the machine. Examples: photocopier, dishwasher, computer, bicycle, fridge, plane, coffee machine etc.., This will encourage co-operation, communication and help the group form.
  1. If I was…. In a circle get them to close their eyes and imagine they were a tree or flower.  Which one would they choose? What would they look like? How would they move? How would they feel?
  1. The clients draw a picture of how they would look as a flower or a tree.
  1. Ending RoutineRelaxation exercise – Be a STAR!The clients lie down on their backs and spread their arms and legs as far as they can go. They feel like they are making a four pointed star. They stretch as hard as they can and suddenly the star collapses.

Session 2:

Aim of session: Accepting difference within themselves, looking at expectations and accepting limitations.

  1. Starting routine: Weather chart- a large sheet is divided into four. Each section has a picture of a different weather situation such as the sun, rain, wind and a tranquil lake. An arrow is in the middle of the sheet. The clients point the arrow to the weather picture that best represents their feelings at that moment. (Other clients in the group could guess why a certain client is feeling that way).
  1. Guide dogs: Divide the group into pairs. One person in the pair closes their eyes and the other person who is their guide dog guides them around the room making sure she doesn’t bump into anything. They do not talk during this game. Reverse the process. This is a very useful trust exercise.
  1. Polarities – Give them a sheet of paper and on the paper are the following statements:

I am friendly

I am a bully

I am loveable

I am dull

I am lonely

I am wanted

I am hated

I am a failure

I am fun

I am winner

I am not ok

I am lively

I am successful

I have good ideas

I can make good decisions

I can solve problems

I can ask questions

I am not a good listener.

Each client has to underline the statements that applies to him/her.

  1. Dragon Hunt; Tell them they are going on a dragon hunt. Get a picture of a dragon a divide it into 8 pieces. Hide the pieces around the room. A leader is chosen randomly. In order to find the dragon they have to go on an adventure through a river, mud, long tall grass. They have to go up a mountain. Masking tape or chairs can be used to define the areas for the river, mud etc..,. The leader must work with the others to come up with solutions of how they will overcome the obstacles in their way. They will need to help each other. When they eventually get to the Dragon’s cave they may need to split into 2 groups in order to find the dragon. This is a good exercise to do in terms of giving and accepting instructions and encouraging and supporting others.
  1. When all the pieces of the puzzle are found they work in a group to put it together.
  1. Ending routine – relaxation exercise – candles – everyone is a candle standing up straight. The candle has been lit and the candle slowly melts to the ground.

Session 3:

Aim of this session: to help with creativity and feelings of competence and self worth.

  1. Starting routine: Pick a Pillow: Have a selection of pillows of all shapes, sizes and colours. Once they have chosen their pillow they can say how they are feeling.
  1. In pairs get them to represent how they feel about themselves in the sand tray. Do not partition the sand tray as “this creates paradox and contraindicated in joint sand play: it is like saying play together but do not play together.” (the handbook of group play therapy P.227). After they have done the sand tray allow the members of the group to quietly sit before the sand tray created by the other pair. Invite each pair to share a story or an association to their own sand tray. Give time for asking questions and initiating sharing about the group process, the impact the sand tray has on individual group members, the relationships of the issues raised in the sand trays ad how they correspond and represent the clients’ feelings.
  1. Ending routine – smoke in a chimney – stand comfortably and start to undulate the whole body starting with the feet (allow the heels to be raised from the floor) Imagine ripples moving up the body and flowing out of the top of the  head. These ripples are making you move forward and backwards. Now change and undulate from side to side. Imagine you are some smoke meandering up a chimney.

Session 4:

Aim of this session: To work closely and co-operatively with each other to help minimise anxious, frightened or ambivalent feelings.

  1. Starting routine – get each individual to draw a line or shape of how they feel at that particular moment.
  1. Give them the handout of the magic forest and get them as a group to fill in the gaps.
  2. Get them to paint a group picture of their magic forest.
  1. Sardines; (depends on the size of the room) One client hides and the others look for her. When they find her they join her and eventually all four clients will be hiding in the same spot – this is good for finding a safe spot in the magic forest – it helps with fears and anxieties and it shows the usefulness of support..
  1. They create a group story using the sand tray about what happened in the forest.
  1. Ending routine: relaxation exercise – rubber puppet – The clients imagine they are a rubber puppet. They are being pulled from above. They are pulled up and their limbs fly about in all direction. Their feet are being pulled off the ground. Finally the strings are cut and they relax.

Session 5:

Aim of session: To help children to focus on their personal attributes and be aware of their strengths and limitations.

  1. Starting routine: Pass the cushion – the clients sit in the circle and pass the cushion to one another. When a client has the cushion in their hands they must say their and adjectives to describe how they are feeling.
  1. Simon says: – encourage turn taking, listening and communication.
  1. Body image – divide the group into pairs. One person stands with his/her back against a sheet of paper on the wall while the other draws around their partner’s body. Each client takes their body image and fills it in with a self portrait.
  1. When everybody is finished they reflect on their own portrait and the other clients’ portraits. They are invited to share their thoughts and feelings in the group.
  1. Ending routine: relaxation exercise – candles see session 2.

Session 6

Aim of this session: To experience the feelings of being supported in a  successful group and bring the sessions to a close.

  1. Starting routine: Each client makes a movement of how they feel to-day.

  1. Each client chooses a musical instrument and one by one everyone joins in until everyone is playing their instrument together.
  1. Get the group to think of a nursery rhyme and use the musical instrument to represent the nursery rhyme. This can be done in pairs or as a whole group.
  1. Make a clay shape about how they feel about the group coming to an end. Each client can join their shape with another client if they both wish. Some clients may wish to stay alone with their shape and feeling. The clients can also change their shapes if they wish.
  1. Ending routine: Each client choose a small world symbol to represent how they felt being part of the group for six weeks.

The Bear Hunt – A Drama Game

9 Nov

Bear Hunt

REPEAT EACH PHRASE… slap thighs throughout.

Going on a bear hunt (repeat)

I’m not afraid (repeat)

Got a real good friend (children hug each other during this part…repeat)

By my side (repeat)

Oh, Oh (repeat)

What do I see? (repeat)

Oh look! It’s some tall grass! (repeat)

Can’t go over it (repeat)

Can’t go under it (repeat)

Can’t go around it (repeat)

Got to go through it (repeat… Make motions with arms like you are clearing a way thru grass)

Going on a bear hunt (repeat)

I’m not afraid ( repeat)

Got a real good friend (repeat with hugs)

By my side.(repeat)

Oh, Oh! (repeat)

What do I see? (repeat)

Oh look! It’s a tall tree.(repeat)

Can’t go over it (repeat)

Can’t go under it (repeat)

Can’t go through it (repeat)

Got to climb up it (Repeat and pretend to climb up the tree)

Going on a bear hunt (repeat)

I’m not afraid ( repeat)

Got a real good friend (repeat with hugs)

By my side.(repeat)

Oh, Oh! (repeat)

What do I see? (repeat)

Oh look! It’s a wide river. (repeat)

Can’t go over it (repeat)

Can’t go under it (repeat)

Can’t go through it (repeat)

Got to swim across it. (Repeat and pretend to swim.)

going on a bear hunt (repeat)

I’m not afraid ( repeat)

Got a real good friend (repeat with hugs)

By my side.(repeat)

Oh, Oh! (repeat)

What do I see? (repeat)

Oh look! A deep, dark cave. (repeat)

Can’t go over it (repeat)

Can’t go under it (repeat)

Can’t go through it (repeat)

Got to go in it. (repeat, close eyes as you pretend to enter the cave)

Oh,oh! It’s dark in here. (repeat)

I feel something   (repeat)

It has lots of hair!  (repeat)

It has sharp teeth!  (repeat)

It’s a bear!! (children love to scream this part)

(At this point, increase the speed of your thigh slapping and swim back through the river, back up and down the tree,

back through the tall grass, till you get safely home and lock the door.)

I’m not afraid! (Repeat)

Monologues for Young Children (via earlyedudrama)

9 Nov

The following are monologues which are suitable for children aged 5+ Cinderella Cinderella: (walking around the room, dusting the furniture) I am so tired I can hardly keep my eyes open. I’ll never get all this dusting and polishing done before they get from the ball. I wonder if I could ask some of my animal friends to help me. But they have all gone to sleep for thee night. (Softly) puss….puss…puss wake up and help me and I’ll give you a nice s … Read More

via earlyedudrama

Dogs and Fleas – A fun catching game!

9 Nov

This game is a fun game. The object is to get past the children in the middle.  The game starts out with the group standing on one side of the field. A couple of children are chosen to be the fleas.. Everyone else is a dog. The fleas stand in the middle and have a “flea huddle”. In this huddle they will decide how they want the dogs to move across the field; do they want the dogs to skip, crawl, or disco walk? Whatever movement the fleas decide to  se, they also have to follow as they are chasing the dogs. The fleas break their huddle and they say:

Fleas, “We are the fleas!”

Dogs reply, “We are the dogs!”

Fleas reply, “We’re going to get you dogs!”

And the dogs reply while shaking their finger, “Oh no, you won’t, silly little

fleas!” 

At this point the fleas yell out the action they want everyone to do and the dogs try to get to the other side without getting tagged by the fleas. If a dog gets tagged, he becomes a flea and meets up with the other fleas in the flea huddle on the next round. By the end of the game, almost everyone will be a flea and there will only be a few dogs. The game starts over when there are 2 to 3 dogs on the line. The leader then says, “Switch!” and all the fleas become dogs and the remaining dogs become fleas.

Exploring Disability – Drama Workshop

7 Nov

AIMS: To explore through drama how people with special or individual needs may be treated by society.

STRATEGIES: Hot Seating                    Small group work

Whole group                   Thought tracking

Discussion: Discussion about different types of disability and how people can come to be disabled.

A) Run a lottery to decide who will play the part of the disabled person, small pieces of paper are pulled from a bag and one is marked with a cross.

B) Ask the class to open their papers together. What are their feelings before they open the paper? After finding out whether it is them or not, how do they feel?

Small groups:

A) In small groups devise and show a scene before the accident happened to show why the person was liked and popular.

B) In small groups do a “911 Moment” What were people doing when they heard the news of the accident? How did they feel?

C) Show small moments – FREEZE- then interview/thought track in role.

Bigger groups

A) The person’s friends want to visit now that they have returned home. How will they organize this? How do they feel  before they knock on the front door? How does the disabled person feel before their friends arrive?  (There may be awkward silences.

B) The whole class decides to take their friend out as a treat. Where to?

When they arrive someone in authority is unhelpful and rude about their friend.   Act this out.  How do they react? How do they feel?

Reflection:   What have we learned? How would we cope if it were us? How would we want to be treated if it was us who became disabled or were born with special needs?  List all the places and activities that a disabled person might find it  difficult to use. Think of your school and list all the ways in which a disabled person would have difficulties using it.

Drama Workshop which deals with the issue of bullying -any age!

7 Nov

Drama Workshop which deals with the issue of bullying

Main Objective:  To use naturalistic acting techniques to examine the issue of bullying and harassment.

Sub aims:

  • To explore the body language of statues and power
  • To identify and enact human responses to messages of welcome or rejection.
  • To work in groups to make and present a drama on the theme of bullying.

Materials: An empty space and chairs

Warm Up

WALK IT, TALK IT: Mingle around the room, walking and talking in the manner of:

TOUGHS – slouch, swagger, call out across room to mates. Pair up on command: 30 seconds to boast about your latest tough deed.

TIMIDS – scuttle, dart, make little greetings as you pass. Pair up on command: 30 seconds to ask for directions

STARS – saunter or strut, greet your fans, stop to pose for cameras. Pair up on command: 30 seconds to boast about your latest movie or engagement.

SnapShot: Divide into groups of three and each group make a still image of:

• the star hits town

• louts hang out on local street

• first day in the new school.

Each group presents to the class.

Comment on differences in body language

• What differences in body language did you see in those pictures?

• Were the bodies more open or more closed?

• Where was the focus of that picture?

• How was it made more interesting by use of levels, angles, proximity of one character to another, and so forth?

Main activity:

Pair up. One person brings out a chair and sits on it.

Show a tableau of the bully (standing) demanding money from the other (sitting). Upon instruction, bring the scene to life with a line from the bully, ‘You knowwhat I want – so give it to me!’

Swap roles the tableau is  of the bully lounging on the seat and the other person  arriving to find their seat taken. Upon command, bring the scene to life with the line, ‘Excuse me, but that’s my seat…’

Lightning looks

Have all pairs play at once. Freeze them and activate one or two pairs at a time to take lightning looks at their scenes.

Talk about body language of status. Look at how status is conferred.

Replay. Ask for some partnerships to replay the scene, but as characters of equal status.

Discuss what differences you notice in what is done and or said.

What are the bully characters doing with body / voice / choice of language/ positioning o claim status?

What are the victim characters doing with body / voice /choice of language/ positioning to bestow status?

What difference do you see when they are played at equal status?

How do actors create images of status? Point out how role is both created and bestowed by the reactions of others.

When / where do you see this happening in real life?

Human guinea pig’ scenarios:

Each scene is to begin with the others acting as friends gossiping about the weekend. Upon a command the ‘guinea pigs’ arrive into their groups. Four variants are played in the following order (maintain the order to finish on a positive note):

  • the arriving party is ignored
  • the arriving party is blamed for something
  • the arriving party is actively welcomed and included
  • the arriving party is treated as a celebrity.

What was it like to be ignored, blamed, welcomed or fussed over?

What emotions do these different responses trigger in real life?

How did each affect the character’s behaviour (voice, body, dialogue)?

If this was real life, rather than make believe, how would these experiences affect someone?

In real life, what are some of the reasons why groups hand out different sorts of treatment?

Making a scene from a story

small group improvisation

1. Set groups to prepare an improvisation around the title ‘new kid’. Distribute different tasks to each group

• a new kid approaches a group in the yard and is welcomed

• a new kid is introduced to the ‘wrong’ group by a teacher

• a new kid is called over to the group and given a celebrity welcome

• a new kid boasts about previous exploits• a new kid is tested out by the group

• a new kid is reassured by parents on the first day of school.

2. Allow students time to talk through, cast and try out their scene.

3. Present the scenes to the class.

Using Poetry as a stimulus to explore the issue of bullying

FOUR O’CLOCK FRIDAY

Four o’clock, Friday, I’m home at last,

time to forget the week that’s passed.

On Monday break they stole my ball

And threw it over the garden wall.

On Tuesday morning, I came in late,

But they were waiting behind the gate.

On Wednesday afternoon, in games,

They threw mud and called me names.

Yesterday, they laughed after the test,

‘cos my marks were lower than the rest.

Today, they trampled my books on the floor

And I was kept in because I swore.

Four o’clock, Friday, at last I’m free;

For two whole days they can’t get me.

Constructing A therapeutic Story – The Ugly Duckling Example

4 Nov

Lots of children‘s stories can be used as therapeutic stories. They have the elements that is required for a story to be therapeutic. The ugly duckling ticks all the boxes.  See how it fulfills the criteria below:



•Metaphorical Conflict                                           Birth of  funny looking duckling.
•Unconscious processes and potentials         Mother defends him, cites positive qualities, gets a first look at swans.
•Parallel learning situations                                 Learning to swim, take care of himself and fly.
•Metaphorical crisis                                                Attack in the marsh, cold winter in the pond
•New identification                                                  Beholds beautiful new image in the water.
•Celebration                                                                The old swans are in awe of him
Now construct your own therapeutic story! Use the boxes below.

Constructing a Therapeutic Story – Checklist

Identify the emotional problem or issue
Set a therapeutic objective – what would you like to change?  

 

Think of a strategy to achieve the change
 

Base the story on a metaphorical conflict in terms that the child can relate to – a character, a place, a plot – grappling with the same emotional problem as the child.

What similar stories or real life experiences could be used?

 

 

Start constructing the story by thinking out the ending in outline and then list the main stages on how to get there.  (Start establishing a similar situation, crisis, bridge to change, change, positive journey, positive outcome, celebration)situation

 

Write the start – set the scene  

 

Develop the plot by showing the main character using similar methods to deal with the problem as those used by the child – personify unconscious processes and potential
Reach a metaphorical crisis
 

Construct the shift, the change of direction, using parallel learning situations.  Use a bridge section to avoid moving too quickly

 

Show the journey from crisis to positive solution and a new sense of identification
End the story with a celebration and sense of community

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